LiebesFraulein
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10 Choses que jAime de ToiOn this Bookshelf of Hours!

membru din 21 iulie 2024

10 Choses que jAime de Toi

　ღ Cinephile˛ Dix‒sept Juinˏ 2025　©ℒiebesℱräulein.
　　d͟e͟ɑ͟r͟ M͟i͟s͟s,　Lʼaventure de la disparition de ce qui reste dʼune vie ancienne˛ ℓe journal dʼune jeune fille vivant à la mauvaise époque;　❧ triés sur le volet 　　　　　　　　　old films Iʼve w͟ɑ͟t͟c͟h͟e͟d͟&l͟o͟v͟e͟d /in no particular order/
Charles Waltersʼ ʼ56 H͟i͟g͟h͟ S͟o͟c͟i͟e͟t͟y: It felt like sunshine in satin. The music, the gowns,; the way everyone sparkled just a little—it made my heart feel light. Grace Kelly was like a dream.
Charles Waltersʼ ʼ56 H͟i͟g͟h͟ S͟o͟c͟i͟e͟t͟y: It felt like sunshine in satin. The music, the gowns,
George Cukorʼs ʼ64 M͟y͟ F͟ɑ͟i͟r͟ L͟ɑ͟d͟y: I didn’t expect to feel so much. At first, I just loved; her hats and the way the words sounded so proper. But somewhere in the middle, I started rooting for Eliza like she was a friend. Her wanting to be seen... I understood that.
George Cukorʼs ʼ64 M͟y͟ F͟ɑ͟i͟r͟ L͟ɑ͟d͟y: I didn’t expect to feel so much. At first, I just loved
Ridley Scottʼs ʼ85 L͟e͟g͟e͟n͟d: The forest, the light, the music... everything breathes like a; fairytale just on the edge of sleep. I loved how darkness and innocence danced so closely together. It feels like a half-remembered dream—golden, strange, and hauntingly beautiful.
Ridley Scottʼs ʼ85 L͟e͟g͟e͟n͟d: The forest, the light, the music... everything breathes like a
William Wylerʼs 1968 F͟u͟n͟n͟y͟ G͟i͟r͟l: I loved watching Fanny rise, fall, love, and ache; with that dazzling spark that never quite dimmed. It reminded me that sometimes being brave means being completely, unashamedly yourself, even when it hurts.
William Wylerʼs 1968 F͟u͟n͟n͟y͟ G͟i͟r͟l: I loved watching Fanny rise, fall, love, and ache
Terence Youngʼs 1962 D͟r͟. N͟o: There’s just something dreamy about the old Bond films...; I loved the stillness between the action—the way people watched each other, the way silence built suspense like waves before they break. And the island was like another world.
Terence Youngʼs 1962 D͟r͟. N͟o: There’s just something dreamy about the old Bond films...
Mervyn LeRoyʼs ʼ62 G͟y͟p͟s͟y: The film was like watching someone find their voice,; little by little. I loved the way Rose pushed and dreamed—so loud, but also so lonely. And Louise! oh, her quiet strength stayed with me.
Mervyn LeRoyʼs ʼ62 G͟y͟p͟s͟y: The film was like watching someone find their voice,
Mark Robsonʼs 1967 V͟ɑ͟l͟l͟e͟y͟ o͟f͟ t͟h͟e͟ D͟o͟l͟l͟s: Glitter over something broken. So much; beauty, but also so much sadness hiding behind the lashes and lights. I kept thinking how easy it is to lose yourself when everyone wants a different version of you. It made me feel quiet after.
Mark Robsonʼs 1967 V͟ɑ͟l͟l͟e͟y͟ o͟f͟ t͟h͟e͟ D͟o͟l͟l͟s: Glitter over something broken. So much
Richard Quineʼs ʼ64 S͟e͟x͟ & t͟h͟e͟ S͟i͟n͟g͟l͟e͟ G͟i͟r͟l: It was playful and clever in that; old-fashioned, flirty kind of way. Natalie looked so beautiful and sharp—like every outfit had something to say. It made me smile more than once.
Richard Quineʼs ʼ64 S͟e͟x͟ & t͟h͟e͟ S͟i͟n͟g͟l͟e͟ G͟i͟r͟l: It was playful and clever in that
Pasquale F.C.ʼs ʼ67 L͟ɑ͟ c͟i͟n͟t͟u͟r͟ɑ͟ d͟i͟ c͟ɑ͟s͟t͟i͟t͟ɑ̀: There’s a quiet humor beneath all the; drama that caught me off guard. Like a secret garden where rules and rebellion whispered to each other. I found myself smiling softly at how stubborn people can be. Oh, and Monica Vitti is divine!
Pasquale F.C.ʼs ʼ67 L͟ɑ͟ c͟i͟n͟t͟u͟r͟ɑ͟ d͟i͟ c͟ɑ͟s͟t͟i͟t͟ɑ̀: There’s a quiet humor beneath all the
Sofia Coppolaʼs 2006 M͟ɑ͟r͟i͟e͟ An͟t͟o͟i͟n͟e͟t͟t͟e: A pastel daydream—so bright and delicate,; but with this quiet sadness beneath it all. I kept thinking about how lonely she must have felt, surrounded by all that sparkle. It stayed with me long after the credits.
Sofia Coppolaʼs 2006 M͟ɑ͟r͟i͟e͟ An͟t͟o͟i͟n͟e͟t͟t͟e: A pastel daydream—so bright and delicate,
Joe Wrightʼs 2005 P͟r͟i͟d͟e͟ & P͟r͟e͟j͟u͟d͟i͟c͟e: The way they say what they don’t mean, and the; pauses between words feels so real. Watching Elizabeth was like meeting someone brave and kind who hides her heart carefully. I loved how hope quietly bloomed, even in all the misunderstandings.
Joe Wrightʼs 2005 P͟r͟i͟d͟e͟ & P͟r͟e͟j͟u͟d͟i͟c͟e: The way they say what they don’t mean, and the
Arthur Pennʼs ʼ67 B͟o͟n͟n͟i͟e͟ ɑ͟n͟d͟ C͟l͟y͟d͟e: Two wild souls searching for something they; couldn’t quite find. There’s a sadness beneath their fire, like they’re running from a world that doesn’t understand them. It stayed with me—a quiet ache that’s hard to shake.
Arthur Pennʼs ʼ67 B͟o͟n͟n͟i͟e͟ ɑ͟n͟d͟ C͟l͟y͟d͟e: Two wild souls searching for something they
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